Interview With Sarah Culp – NJ High School Band Teacher

To celebrate both Women’s History Month and Music in Our Schools Month, we are so excited to interview some fabulous music educators who are making an impact on their students across the country. I went to a summer festival with Sarah and I have always loved reading her posts about teaching… and I knew she would have great things to share with the Brass Chicks community.  – Kate Amrine

sarah culp.jpgSarah Culp is the current Director of Band’s at Manchester Township High School in Manchester Township, NJ. She holds a Bachelor of Music degree from William Paterson University of New Jersey where she studied Classical trumpet and minored in classical voice. In addition to overseeing the jazz band, concert band, pit Orchestra, and other small ensembles at her school, she is enrolled in the Master of Music in Music Education program at Rutgers University. She also holds the position of Principal trumpet in both the Toms River Municipal Band and the Central Jersey Wind Ensemble. She resides in Toms River, New Jersey.

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1. How long have you been teaching? What are your responsibilities at the school? What do you love about teaching? Any favorite teaching moments?

This is currently my 5th year of  teaching. I did 2 years in Paterson, NJ Teaching k-8 general Music and marching band, 1 year in Clifton NJ teaching 7th and 8th grade band and assisting on the High School Marching band and this is my second year running a full high school program. I currently run the concert band, jazz band, marching band, pit Orchestra, and small chamber ensembles at Manchester Township High School. What I love most about teaching s giving kids a safe place to be where they are loved and accepted by all, and a place where they can express themselves. My students are a family and they all take care of each other. We also get to make great music and I love seeing them improve through the years. It’s the most rewarding thing to see a student change and develop as a person and as a musician. There are moments when my band nails a piece or nails a run of their field show and my heart is so full that I can’t imagine being anywhere else. Continue reading

Five Pieces for Horn by Five Living Women Composers that I performed this week – Bailey Myers


Hornist Bailey Myers is a Washington DC-based artist and activist, performing all types of music as often as possible and working to empower women in the music industry. Since moving to the Baltimore/Washington area in 2016, Bailey has performed with the Peabody Symphony Orchestra, the National Orchestral Institute Festival Orchestra, the Washington Chamber Orchestra, and the Baltimore-based Occasional Symphony. As a soloist and chamber musician, Bailey is passionate about featuring works by women composers and has performed at many events and churches in the area. Bailey has recently been named the new music director of Ascension Episcopal Church in Silver Spring, MD where she will be expanding a public concert series as one of her duties, and she is excited to use this platform to give more exposure to women composers and musicians (especially brass musicians!).

Bailey Myers currently studies with Denise Tryon at Peabody Conservatory and anticipates graduating with her Master’s Degree in Horn Performance in May 2018. She received her Bachelor of Music in Horn Performance from Oberlin Conservatory in 2016 under the instruction of Roland Pandolfi. In addition to her musical studies, Bailey also received a Bachelor of Arts in East Asian Studies from Oberlin College with a Chinese Studies concentration and a Politics minor.


This past Tuesday I had my Master’s Recital, which featured all works by living women composers. It was the second recital of all women composers that I had programmed (the first featured Jane Vignery, Thea Musgrave, Clara Schumann, and Beyoncé), so it was an exciting challenge to find another hour of music. I owe so much to Lin Foulk and her awesome database, which I highly recommend as the first place to start for any horn players looking for music written by women – solo or chamber music. The following five pieces were what I ultimately chose to program, and I am very happy with the results.


1. Imaginings by Dorothy Gates:

 This piece is perfect for opening a recital; it has a dramatic opening and a flashy ending, while not being terribly difficult to put together with piano. Composed for Michelle Baker, recently retired 2nd horn of the Metropolitan Opera Orchestra, it features the low register in particular. Baker premiered Imaginings just this past summer at the 25th International Women’s Brass Conference, and you can hear her SoundCloud recording on Dorothy Gates’ website here. Dorothy Gates is definitely a composer to check out if you’re a brass player – she is a prolific composer of brass music, especially brass band music, and she is a trombonist herself. Born in Northern Ireland, she now resides in the United States where she is Senior Music Producer for The Salvation Army’s Eastern Territory in New York and the Composer-in-Residence for the New York Staff Band – a position she has held since 2002. She is the first woman to be employed by The Salvation Army in this role. You can learn more about her here. Continue reading

Five Things to Bring and Eat on a Long Day

Today’s Five Things Friday post is by Audrey Flores.


Audrey Flores is a freelancing horn player in New York City. She attended the Juilliard School and the Mannes College of Music, and regularly plays in Broadway productions and with orchestras in the tri-state area. She plays a 2007 Engelbert Schmid Triple Horn with a medium hand-hammered bell that was also made in 2007, purchased brand new from The Horn Guys in Los Angeles in 2008.

Formerly Principal Horn of both the Allentown Symphony and Symphony in C in Camden, NJ, Audrey has also played with the New World Symphony, the Columbus Symphony Orchestra in Ohio, the Miami Symphony Orchestra, the New Jersey Festival Orchestra, the Jerusalem Symphony, the New York Philharmonic, the Mariinsky Orchestra, and the Orpheus Chamber Ensemble. She was a musician in the Radio City Christmas Spectacular Orchestra in 2011 and 2012, and in the New York Spectacular in the summer of 2016. She released her first solo album in June of 2017.


Ever have those days where you leave your apartment as the sun comes up, and get home when the stars are long gone? Days like this can be hard on your health, and harder still if you end up starving and spending your hard-earned cash on overpriced food before you’ve even gotten paid. Here are Five Things To Bring and Eat on a long day. Eat well and don’t forget your toothbrush! Continue reading

The Trombonist-Turned-Musicologist (No, this is Not a Joke): How Embracing my Past Defined my Future

We are excited today to share a guest post by Alyssa Wells about her path from playing trombone and baritone in bands to pursuing a PhD in Musicology. Thank you, Alyssa, for sharing your story!

Wells - Headshot.jpgAlyssa Wells is a Musicology PhD student and Rackham Merit Fellow at the University of Michigan. Her research interests include: labor union and industry bands, protest music, the politics of sound and space, and communist and socialist composers. Before coming to the University of Michigan, she completed master’s degrees at the University of Massachusetts Amherst in Musicology (M.M.) and German and Scandinavian Studies (M.A.). While at UMass, her research on Hanns Eisler and music festivals in the German Democratic Republic received funding from the German Academic Exchange Service (DAAD). Alyssa also holds a B.A. in Music (trombone) and German Studies from Western Michigan University. In her free time, she enjoys running, cooking, telling terrible jokes, and making annoying puns.

If you would have told 19-year-old me that I am now just about halfway done with a PhD in musicology, I would have probably laughed…

Figure 1 – Alyssa, aged 19. Clearly enthused about musicology

…In fact, until the past year, musicology had never truly felt “natural” to me. The field was intriguing and inspiring enough to decide to devote my life to it, but what I studied simply did not furnish me with the same deep personal connection that I consistently witnessed my colleagues experiencing.  Continue reading

Five (of The Many) Great Things About My Teaching Job

Jessica Stein is a trumpet player and band teacher at the Haldane Central School District in Cold Spring, NY. Most recently Jessica played in the pit orchestra for Marist College’s production of Anything Goes. Jessica is a founding member of Millennial Brass, a brass ensemble that performs regionally in New York and Connecticut. Additionally, Jessica subs with The Greater Newburgh Symphony Orchestra.

During the summer of 2016, Jessica attended The Aspen Music Festival and School where she performed significant orchestral works alongside some of the countries’ top classical musicians. Jessica has played internationally in Graz, Austria as a member of the American Institute of Musical Studies’ professional festival orchestra. Upon beginning her graduate work in 2014 at SUNY Purchase, Jessica was a finalist in the Purchase College Concerto Competition performing the Arutunian Trumpet Concerto.

Jessica earned her Master’s of Music from SUNY Purchase under the tutelage of Raymond Mase. Additionally, Jessica holds a Bachelor’s of Music with a double major in Trumpet Performance and Music Education from The Peabody Institute of the Johns Hopkins University where she was a recipient of the Sylvia Friedberg Nachlas Endowment Scholarship.

I have never spoken so openly about being a public school band teacher. I just started my job in September 2017, and I’ve been pretty quiet about it. As a professional musician, at first, I felt that having a teaching job was something to be ashamed of. However, in the past six months, I’ve realized that couldn’t be further from the truth. I think it’s time for me to speak out about how fantastic my job is. So without further ado, here are five (of the many) great things about my teaching job.  Continue reading