5 Things I’ve Learned While Traveling with My Trumpets

We are pleased to welcome trumpeter Katie Clark as this week’s Five Things Friday guest writer!

KatieClarkWhen I first set out on my trumpet travels this fall, I was asked if I would like to write a piece for “5 Things Friday” on Brass Chicks about what I’ve learned or discovered while curating my own education this year.

I’ve been blogging about my travels, trumpet, and being gluten free on my blog, Katie’s Trumpet Travels (katiestrumpettravels.wordpress.com), so feel free to find out more about me and my story there!

I voluntarily withdrew from my doctoral studies at the University of British Columbia last spring to attend the University of Toronto’s Master of Teaching program. However, after attending Chosenvale: The Center for Advanced Musical Studies in June, I realized that I needed to make the trumpet my career; I love it. So I was unsatisfied with my doctoral program, no longer wished to attend teachers college, and was forced to come up with a plan. I’ve always said that studying abroad would be a dream come true, but I was hesitant to spend two to four years abroad as I am very comfortable living in Canada and wish to work there one day. For some reason, I did not see it as a road block to spend one year abroad. I guess when you’re determined to make something happen, it happens.

I then decided that I didn’t need a school. I had spent the past seven years in music schools and really just wanted to expand my trumpet technique and proficiency. I needed teachers. I then considered the many teachers that I’ve met throughout the past few years whom I’ve learned a lot from and drafted out a travel plan. In doing this, I was also lucky to stumble across the news of a conservatory needing an extra trumpet performer for a concert in March and found a base point for my European adventure. Considering I was not going to be a full time student, I had a lot of free time to schedule lessons and other classes across Europe during my time abroad. I was also very lucky to have a friend who was taking a gap year between her undergraduate and graduate degrees join me on this adventure because travelling with someone is a lot more fun than travelling alone.

Anyways, too much rambling! I am now five weeks into my seven weeks of trumpet travel in Europe, am a contract student at the Koninklijk Conservatorium Den Haag, and have learned many new things about trumpet, travel, and myself that I will attempt to organize into a clear list. Please note that these are the most valuable things that I have picked up while travelling and curating my own education and that they may be different for you!  Continue reading

An Interview with Lori Eure

This week at Brass Chicks, we are pleased to share an interview with Lori Eure. Lori is a singer, actor, musician, and dancer, who also doubles on a variety of instruments. In the recent Cabaret national tour, she performed on trumpet, horn, euphonium, and accordion, in addition to singing, acting, and dancing. A true quadruple threat, Lori has a unique perspective on musicianship and artistic life.

About Lori Eure

headshot 3 .jpgLori Eure, originally from North Carolina, currently lives in New York, NY. Lori is a singer, actor, musician, and dancer. Some theatre credits include: Broadway: Cabaret (at the infamous Studio 54) Sally Bowles understudy/Kit Kat Girl. National tour: Cabaret. Regional Theatre: Ring of FireThe Buddy Holly Story, Wonderland, We Will Rock You (Las Vegas Cast), Beehive at The Kennedy Center, Annie, and Guys-n-Dolls. TV credits include: The Tonight Show with Jay Leno and Spin City. Lori gives much thanks and love to her family and friends. “Life and love go on… Let the music play!”

From Ravelle Brickman’s review of Cabaret in DC Metro Theatre Arts:
“…Some of the stand-outs are Lori Eure, who cavorts on a bannister while playing a mean French horn, plus a gaggle of sax players, horns and strings, clarinets, accordions and drums and even a banjo.”

Continue reading

An Interview with Caroline Steiger

This week, we are excited to share an interview with Dr. Caroline Steiger, Assistant Professor of Music and Artist/Teacher of Horn at Texas State University.  We love her thoughts on education and the changing nature of the music world!

About Caroline Steiger

Dr. SteigerDr. Caroline Steiger is an active teacher, clinician, and performer both in large and small ensemble settings. Caroline grew up in Southeast Michigan and went on to study at the University of Michigan, earning a B.M. in Horn performance with Teacher Certification in 2010, Penn State University where she earned her M.M. in Horn Performance, and the University of Michigan, earning her D.M.A. in performance in 2015.

Dr. Steiger is currently the Assistant Professor of Music and Artist/Teacher of Horn at Texas State University in San Marcos, TX. She has held positions at SUNY Potsdam’s Crane School of Music (Visiting Assistant Professor of Horn, 2014), Blue Lake Fine Arts Camp (Horn Instructor, Summer 2017), Penn State University (Teacher Assistant), and the University of Michigan (Graduate Student Assistant). Several of her students have gone on to study music at the undergraduate and graduate level, while her high school and middle school students have participated in State Solo and Ensemble (MI) as well as the Michigan Youth Arts Festival. While at Penn State University, Caroline was the Assistant Director of the Penn State Horn Ensemble and helped plan tours that included performances at the Pennsylvania Music Educator’s Association (PMEA) conference, Lancaster, and Hershey, PA.

Dr. Steiger’s work as a musician includes regular performances with the Mid-Texas Symphony and Round Rock Symphony Orchestras. She has played with the San Antonio Symphony, Detroit Symphony Orchestra, Detroit Chamber Winds and Strings, Toledo Symphony Orchestra, and the Mariinsky Theatre Orchestra during their 2015 US tour. In addition, Caroline has held Principal positions with the Dearborn Symphony (Dearborn, MI), Adrian Symphony (Adrian, MI), Rochester Symphony (Rochester, MI), Oakland Symphony (Rochester, MI), Orchestra of Northern New York (Potsdam, NY), and the Northern Symphonic Winds (Potsdam, NY). Caroline has performed in great halls across the country, including Carnegie Hall, Orchestra Hall in Detroit, Heinz Hall in Pittsburgh, the Music Center at Strathmore in Bethesda, and Hill Auditorium in Ann Arbor, getting a chance to work with conductors such as Valery Gergiev, Leonard Slatkin, Sebastian Lang-Lessing, Stefan Sanderling, Lio Kuokman, Karina Canellakis, and Giordano Bellincampi.

Committed to chamber music, Caroline has played with the Potsdam Brass Quintet, faculty quintet-in-residence at SUNY Potsdam, the Emblems Woodwind Quintet, an Ann Arbor-based quintet focused on performing new and underrepresented works, and in 2015 participated in a chamber music residency at the University of Michigan with New York Philharmonic principal winds where she performed with Philip Myers.

Dr. Steiger’s main teachers include Adam Unsworth, Bryan Kennedy, Lisa Bontrager, Soren Hermansson, and Corbin Wagner. She has also studied with and participated in masterclasses with Gail Williams, Fergus McWilliam, David Krehbiel, Robert Ward, Bernhard Scully, and Jeffrey Lang.

Continue reading

Five Tips for Contemporary Chamber Music-Making: Amanda Ross

This week’s Five Things Friday is from trumpeter Amanda Ross, on her experiences with her contemporary chamber ensemble, Girlnoise. Thanks to Amanda for sharing her thoughts with us!

Girlnoise
Amanda Performs with her chamber ensemble, Girlnoise

Girlnoise is an mixed chamber ensemble specializing in contemporary music and improvisation. Founded in 2015 in Ann Arbor, MI Girlnoise has collaborated with several local composers and musicians and has performed at UMMA, Canterbury House, and University of Michigan’s School of Music. In January 2017 Girlnoise held its first collective gathering, Meditation on Water, to help raise awareness for the Flint Water Crisis. As well as playing trumpet and arranging for Girlnoise, Amanda Ross is a doctoral student in trumpet at the University of Michigan. Continue reading

An Interview with Kristy Morrell

Kristy Morrell is a faculty member at USC’s Thornton School of Music as instructor of horn and chamber music and the chair of the department of Winds, Brass and Percussion, and at the Colburn School of Music. She has been a member of Los Angeles Chamber Orchestra since 1997, and performs frequently with the Los Angeles Philharmonic, the Los Angeles Opera, Pasadena Symphony, the Hollywood Bowl Orchestra, Pacific Symphony and New West Symphony. She is also a respected recording artist, performing on numerous motion pictures, television soundtracks and records. Kristy has a Doctor of Musical Arts degree from USC, where she also received her Master of Music, and a Bachelor of Music and Performer’s Certificate from the Eastman School of Music. (Bio adapted from music.usc.edu)

We are honored to share Dr. Morrell’s thoughtful interview responses!
Continue reading

Looking Back: Album Releases From This Summer

covers

As Summer 2017 draws to an end, we look back on a prolific four months of album releases featuring female brass musicians. With music including classical, jazz, and mariachi, this summer’s albums have something to offer for everyone.

NB: If you or a friend released an album this summer and we missed it, let us know in the comments! Continue reading

Five Things Friday – Rebecca Epstein-Boley, 7/28

I’m excited to write Brass Chicks’ second-ever Five Things Friday! Because I have struggled a lot over the years with performance anxiety, I have had to work to find functional solutions. In this post, I will share five of my favorites. I hope they will help other musicians as much as they have helped me.

Continue reading

Seraph Brass Indiegogo has 1 day and 2% left to go!

The incredible all-female brass quintet, Seraph Brass, has almost reached its crowdfunding goal on Indiegogo. The group aims to raise $25,000 in order to fund their first album, which they will release in early 2018. It will only take a few more donations to push them past the $25,000 mark — could some generous Brass Chicks make the difference?


From the fundraiser page:

“Seraph Brass began in 2014 and is in high demand, presenting over 50 domestic and international concerts in the 2016-17 season. We are a dynamic brass quintet drawing from a roster of America’s top brass players. Committed to engaging audiences with captivating programming, we present a diverse body of repertoire that includes original transcriptions, newly commissioned works, and well-known classics. Recently, we commissioned and premiered “Wolf” for solo soprano and brass quintet from Philadelphia-based composer, Joseph Hallman and have had several arrangements made by Utah Symphony trumpeter Jeff Luke and composer Thomas Oltarzewski. Through our mission to commission and premiere new works by American women composers, we hope to continue to encourage women of all ages to study and love brass music. We have performed a number of masterclasses at universities, high schools, and middle schools. Seraph Brass is on the Allied Concert Services roster, performing tours throughout the United States. Seraph is managed by Manhattan Music Ensemble.”