Making Statements: An Interview With Abbie Conant

We are thrilled to have been able to conduct an interview with the fabulous Abbie Conant. Abbie famously fought the Munich Philharmonic for 11 years in court to be solo trombone and now performs groundbreaking multidisciplinary works. She has been a pleasure to work with on this interview!

About Abbie Conant

abbie clearAward-winning Performance artist and Juilliard-trained trombonist Abbie Conant is somewhat of a legend in the international orchestral brass world. The story of her epic fight and ultimate victory against egregious gender discrimination in the Munich Philharmonic Orchestra, where she won the position for principal trombone at a screened audition in 1980, inspired author Malcolm Gladwell to write the NY Times Bestseller, Blink, where Ms. Conant’s story is detailed in the last chapter. The 11-year-long court battle was documented by composer/musicologist/activist, William Osborne, in an article entitled “You Sound Like a Ladies’ Orchestra.” The document is supported by actual court records and experiences in the orchestra with 89 footnotes. This source document has generated countless newspaper and magazine article (Der Spiegel, {the German analog to Time Magazine}, The Washington Post, The Wall Street Journal, St. Louis Post-Dispatch, etc.) as well as a documentary film, (Abbie Conant, Alone Among Men by Brenda Parkerson), a play produced at the Landestheater Linz, Austria by Award-winning British playwright, Tamssin Oglesby called, Der (eingebildeter) Frauenfeind, (The [Concieted] Misogynist) and a screen play for a feature film in the works by Canadian writer/producer Dale Wolf.

After winning her lengthy court case, Ms. Conant won a full-tenured Professorship at the University of Music in Trossingen, Germany and left the orchestra in 1993. Abbie Conant has performed instrumental music theater works with surround sound electronics in over 150 different cities around the world. She has given masterclasses in as many esteemed music institution such as The Juilliard School, The Eastman School, New England Conservatory, Yale School of Music, Indiana University, Royal Northern College of Music, the Academy of Music and Drama in Gothenburg, Sweden, DePaul, CalArts, McGill, Oberlin and many others. In collaboration with composer/husband William Osborne, the pair has created a new genre of chamber music theater. They have produced five evening-length chamber operas for singing/acting trombonist.

Interview

1. Your story of battling sexism and discrimination in the orchestra world with the Munich Philharmonic is unbelievable, yet your strength and determination (and great playing of course!) paved the way for many discussions and policies on sexism in the brass world. Have your thoughts on that experience changed in any way? Especially in light of recent events in classical music and political culture with harassment and this kind of behavior being less tolerated in the public eye? Continue reading