Five Things I Learned About Freelancing After Having A Baby

This week’s Five Things Friday post comes to us from Philadelphia-based French horn freelancer, teacher, and community connector, Kristina Mulholland. Kristina’s is the first post of what we hope will become many on Brass Chicks which provides information for and aims to help women balancing motherhood and brass playing careers. Thanks to Kristina for sharing her experience! See the bottom of this post for Kristina’s full bio.

Kristina MulhollandI am so excited to be this week’s Five Things Friday guest contributor.  Sharing my perspective, throwing my two cents into the pot, adding more online content to this topic is so important for women who are freelancers and brass players.  You can balance family AND a brass playing career and it’s about time we celebrate!  Below I will be sharing my ideas related to freelancing and brass playing from my own new mommy angle.   My hope is that my article allows room for conversation among current brass mamas and provides avenues of support for future brass mamas out there.  

Without further adieu, the five things I learned about freelancing after having my first child:  Continue reading

Auditions, Caruso, and Music From the Heart: A Conversation with Julie Landsman

We are excited to have recently conducted an interview over the phone with the incomparable Julie Landsman! Julie was a joy to speak with and offered, unsurprisingly, a wealth of advice and information informed by her career.

About Julie Landsman

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Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She achieved her dream of becoming principal of the MET in 1985 and held that position until 2010, and has served as a member of the Juilliard faculty since 1989.

Landsman is a current member of the Orpheus Chamber Orchestra and has performed and recorded with the Metropolitan Opera and the New York Philharmonic. Additionally, she has performed as co-principal with the Houston Symphony, as substitute principal with the St. Paul Chamber Orchestra, and recently with The Philadelphia Orchestra as associate principal, and the Los Angeles Chamber Orchestra as principal.

Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Cincinnati Symphony, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, Rochester Philharmonic, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.

 

Interview

Brass Chicks: Your career has been incredible and has taken you all over the world. What was the process of winning your position at the MET and becoming the first woman in the brass section of that orchestra like?

Julie Landsman: Winning an audition at the MET was one of the greatest experiences of my life. The audition was 100% behind a screen – anonymous – and it’s documented in a very famous book called Blink by Malcolm Gladwell. The last chapter describes the details of  my audition. The men who voted for me had no idea who I was or that I would become the first female brass member of the Metropolitan Opera Orchestra.

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