We are excited to have recently conducted an interview over the phone with the incomparable Julie Landsman! Julie was a joy to speak with and offered, unsurprisingly, a wealth of advice and information informed by her career.
About Julie Landsman
Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She achieved her dream of becoming principal of the MET in 1985 and held that position until 2010, and has served as a member of the Juilliard faculty since 1989.
Landsman is a current member of the Orpheus Chamber Orchestra and has performed and recorded with the Metropolitan Opera and the New York Philharmonic. Additionally, she has performed as co-principal with the Houston Symphony, as substitute principal with the St. Paul Chamber Orchestra, and recently with The Philadelphia Orchestra as associate principal, and the Los Angeles Chamber Orchestra as principal.
Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Cincinnati Symphony, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, Rochester Philharmonic, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.
Brass Chicks: Your career has been incredible and has taken you all over the world. What was the process of winning your position at the MET and becoming the first woman in the brass section of that orchestra like?
Julie Landsman: Winning an audition at the MET was one of the greatest experiences of my life. The audition was 100% behind a screen – anonymous – and it’s documented in a very famous book called Blink by Malcolm Gladwell. The last chapter describes the details of my audition. The men who voted for me had no idea who I was or that I would become the first female brass member of the Metropolitan Opera Orchestra.